Hypogeal: Book Launch and Exhibition

Red Stripe Blue (2017) Patrick Morrissey

BOOK LAUNCH
Tuesday 7th November | 7.30pm – 9.30pm

  • Thursday 9th November | 11am - 2pm
    Friday 10th November | 11am - 2pm
    Monday 13th November | 11am – 2pm
    Thursday 16th November | 11am - 2pm
    Friday 17th November | 11am - 2pm
    Monday 1st September | 11am – 2pm

‘Hypogeal’ is a type of germination that occurs underground without exposure to sunlight for photosynthesis, allowing a plant to grow until it reaches the surface. During the hypogeal stage the plant will grow a single leaf seed which sets the template for the characteristics of the plant when it surfaces above the ground.

Since April 2011 BasementArtsProject have been working with established artists and lecturers, recent graduates, undergraduates and members of the community on a vast array of projects here in the South Leeds area, as well as in places such as Liverpool, London, Stockholm and Jamestown; New York. This book and accompanying exhibition will look back at the work presented throughout 2015 as BasementArtsProject turned five years old.

The exhibition features work by Alan Dunn, Phill Hopkins, Dominic Hopkinson, Lens & Chisel, Samela Otoviç, Patrick Morrissey, Giulia Ricci and Ryan Riddington

The book features essays by Derek Horton, David Cotton, Anna Ratcliffe, Alan Dunn and Alistair Kaye, Dominic Hopkinson and Bruce Davies.

BasementArtsProject would like to thank Leeds Art Fund and posthumously Ben Read for the support that they have shown us since the very beginning. This book was produced with the support of Leeds Art Fund.

Screenshot 2019-02-17 at 20.52.03.png

Artists

  • Dr Alan Dunn is an artist, curator and publisher educated at Glasgow School of Art and The Art Institute of Chicago; he is also a lecturer in Fine Art and MA Art & Design at Leeds Beckett University. He works with sound and digital billboards and has developed projects for the ICA (London), Liverpool Art Prize and BBC Radio 3.

    WEBSITE: www.alandunn67.co.uk

    INSTAGRAM: https://www.instagram.com/alandunn67/

    TWITTER @alandunn67

  • Phill Hopkins was born in Bristol in 1961 and has been an artist based in Leeds since graduating from Goldsmiths College, London in 1985. His practise is very cross-disciplinary and includes the use of drawing, painting, printmaking, photography, sculpture and installation.

    He exhibits both nationally and internationally, with recent shows at BasementArtsProject, Leeds; Pangolin Gallery, London; 3rd on 3rd Gallery, New York USA; Galerie Youn, Canada and Cross Gallery, Australia. His work resides in various public and private collections including The Imperial War Museum, London, Nanjing Baijia Lake International Culture Investment Group, China, Middlesbrough Institute of Modern Art, Leeds Art Gallery, Doncaster Museums & Art Gallery, Stadt Dortmund, Germany, The Hungarian Museum of Photography, Kecskemet, Hungary.

    WEBSITE: www.phill-hopkins.co.uk

    INSTAGRAM: https://www.instagram.com/phillhopkins_studio/

  • Dominic Hopkinson (b. 1969) is an artist whose work addresses the connections between scientific and mathematical principles and concepts through the disciplines of drawing, sculpture and sculptural installations. Having worked as a studio assistant for Peter Randall-Page Hopkinson’s own work is an ongoing study of the geometry of abstract forms and the beauty and design found in nature.

    Hopkinson is also one of the founding members of The Superposition, a collective responsible for many projects with a foot in the worlds of art, science and maths. Recent commissions for this group have seen their work realised at Stanley & Audrey Burton Gallery, Leeds University and Deutsche Electron Synchrotron; University of Hamburg

  • Keith Ackerman. After a career as a Chartered Electrical Engineer I came to sculpting late. Following sculpting courses at Bradford and York colleges, including 7 years with the sculptor Dominic Hopkinson, I concentrated on stone carving and glass casting as my main artistic processes. My sculptures are abstract and often made from local stone

    9th November 2015 11th March 2016 – MantlePiece with Adam Glatherine as Lens&Chisel
    BasementArtsProject, Leeds

    26th April – 11th May 2014 Exhibition with Adam Glatherine as Lens&Chisel
    The Old Library, Sinai Synagogue Leeds

    3rd may – 18th May 2012 Group Sculpture Exhibition
    Holy Trinity Church, Goodram Gate, York

    03 December 2011 – 29 January 2012 SIX INCH CUBE
    South Square Centre, South Square, Thornton

    9th – 16th June 2010 Group Sculpture Exhibition
    Holy Trinity Church, Goodram Gate, York

    Adam Glatherine (b. UK 1983) is a Leeds based interdisciplinary artist whose work addresses our perception of what it means to exist. Through the creation of illuminated forms his work intuitively explores our connection with the physical world and how we interact with it. Glatherine works as much with scientists as he does with other artists, due to the natural overlap in both the theory and practice of artistic exploration. Glatherine’s practice involves, amongst other things, light installations, photography and sculptural forms.

     

    His exhibitions and projects have included Northern Light (w/ Dave Lynch): Corn Exchange, Leeds 2016; Light Boat - Light Up Lancaster: Lancaster, UK 2016; Night of Heritage Light (NoHL) - Fountains Abbey (w/ David Battersby): Fountains Abbey, Leeds 2016; MantlePiece (w/ Keith Ackerman as Lens&Chisel): BasementArtsProject, Leeds 2015; Abstract Landscapes (w/ Keith Ackerman as Lens&Chisel); Old Library Gallery, Leeds 2014

    Lighting Design Award for NoHL (w/ David Battersby) Heritage Project of the Year 2016 http://awards.lighting.co.uk/winners-2016 

    darc Award - NoHL (w/ David Battersby) Best Creative Lighting Event http://darcawards.com/architectural/night-of-heritage-light-uk/

    Glatherine also lectures and writes on the subject of lighting design 

    WEBSITE: www.lensand.org

    CONTACT: adam@lensandchisel.com 

    TWITTER: @LensAndChisel

    INSTAGRAM: https://www.instagram.com/adamglatherine/

  • Samela Otoviç (b. 1996) is a recent BA hons Fine Art graduate of Leeds Beckett University. An artist whose achievements are as prolific as her ideas she had by graduation won the Edna Lumb Travel Prize, curated a group show in Albania and undertaken three solo exhibitions with BasementArtsProject. We eagerly await what comes next . . . 

    Recent exhibitions include:
    In Addition (group show, exhibiting artist) & Model, Leeds 2014
    In The Seam (group show, exhibiting artist) Link Gallery, Manchester 2015
    Duck Duck Goose (solo exhibition) DIY Gallery, Leeds 2015
    Lost in Translation (curator of group show) Albania 2015
    Four Words (exhibiting artist) Liverpool 2016
    Leap (Fine Art Degree Show) Leeds Beckett University 2016

    Edna Lumb Travel Prize 2015 – Winner

  • Ryan Riddington (b. Rinteln, 1978) grew up in various locations in England and West Germany due to his Army upbringing. A keen drawer he later became fascinated with using found objects, leading to a degree in Fine Art Sculpture at Loughborough University School of Art and Design. After teaching English and exhibiting with the British Council in St. Petersburg he moved to Leeds in 2002 and worked as an invigilator at the Henry Moore Institute. This exposed him to many varying approaches to sculpture and its reception. In 2008 he attended Slade School of Fine Art, London taking an MFA in Sculpture. Since then he has remained London-based.

    He has had solo displays at the Henry Moore Institute, Leeds Art Gallery and Fred, London and his work has featured in Granta, Chroma, Pink Mince, SMBHmag and ibook 100 London Artists. A profile of his work under the theme Artist Identity is to feature in the Birkbeck University online journal Dandelion.

    Recent group exhibitions include Shake the Bottle: Contemporary Photography and Sexual Identity at Herbert Read Gallery, Canterbury, A Lover’s Discord at Kontor Projects, Copenhagen and the Annual Pride exhibition at Clifford Chance, London.

LAF_nodates_CMYK.jpg

Leeds Art Fund

This book was made possible thanx to a grant from the Leeds Art Fund