Alistair Woods
Subjected to Change

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The work of Alistair Woods employs the notion of 'making the best of a bad situation' as a concept that influences his working practice. Through the careful selection, distribution and modification of materials and the incorporation of discarded everyday items, Woods produces collages and assemblages that suggest that all possible materials have an equal value to the materials that are traditionally associated with art. Woods

'Negative Collage Portraits' take a similar principle and instead apply it to analogue photography.

For BasementArtsProject Woods will be conducting a two week residency and building a new work in situ

Supported by the Leeds Art Fund & Arts Council England


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The texts featured on this project originally appeared in the publication Subjected to Change, now out of print. The publication is now out-of-print but can be found in the Libraries of the Henry Moore Institute and Leeds Beckett University.

This publication and residency was made possible with the generous contributions of Leeds Art Fund and Arts Council England.