(Includes new work by Alan Dunn) Looking back on the last couple of weeks, it feels like the art world was ahead of the government in terms of the Coronavirus and forced a change of course before it would actually have happened.
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‘Sculpture from the Sofa’ is a series of short videos that aim to share knowledge and enthusiasm for sculpture, based on domestic objects collected over the last decade or so. This episode features a plaster cast of ‘L’Inconnue de la Seine’ (‘The Unknown Woman of the Seine’), its apocryphal origin story and the ways in which it has entered popular culture.
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Day 2 – Status Quo – Rocking all over the world – dog – Lulu – all over – the world – dirty water – 1977 – punk – virus – LCD font – ape – planet – a lover
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Clare Charnley is a UK Visual artist who work is made in collaboration with the public and foreigners. Her recent work has included Brazilian artist Patricia Azevedo.
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‘I Clap For An Art’ by Phill Hopkins is Hopkins riffing on a recent work entitled ‘I Pray For An Art’.
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2020, live updates from The sounds of ideas forming, Volume 2 (Instagram - @alandunn67), exploring the fragility and tangibility of vinyl sleeves in domestic settings. Recent instalments:
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As we all move indoors for a few weeks of enforced isolation it is important to make sure we do not lose our connection with those things that make us happy, give us hope and allow us to share something of what it is that makes us human; our enduring spirit of creativity.
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Sometimes, without the need of confection for a plot, themes can emerge through the process of discussion and planning. I like to think that this is arts natural state, the continual process of discovery, research, reaction, change and consolidation, an alternative to the staid and retrogressive times in which we are currently living.
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‘On The Corner’ is a project that is truly intergenerational and is aimed at promoting ideas of art as an important and integral part of the fabric of our society. We ignore art at our peril.
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Throughout my second year, I’d been undertaking a series of works that related to home and my family, and for part of the module I was required to research an art space that related to my work, and visualise my pieces within in it.
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Since we began this venture nearly a decade ago, we have been diligently chipping away underground, creating a place that serves both artists and community alike. Over time the project has become the foundation for a broad set of ideas that address many issues in art whilst speaking directly to the concerns of the local community.
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