Born in 1969, Sharon is a York based artist strongly influenced by past experiences, current social issues with a hint of nostalgia. Sharon uses a variety of medium from spray paint and emulsion, to plaster and items that have been rescued and ‘acquired’ from undisclosed locations.
Read MoreBasementArtsProject interviewed Jeffrey Knopf in Manchester ahead of taking his work to Colchester for the Sluice Expo 2014
Read MoreA key aspect to the work I do as an artist is thinking through making. Ideas do not come from nowhere; seeds are planted at some point, carried through the air and land somewhere somehow, perhaps unexpectedly.
Read MoreHow do I create art using materials that are accessible and affordable without compromising the quality of my work?
This question was the beginning of my metamorphosed way of working.
Read MoreIan Thomson reflects on the nature of his sound work ‘Underground Lift’ and the connection between the inner ear and the Holbeck interchange.
‘Lost Portals’ continues at BasementArtsProject until Friday 26th April. There will also be a Lunchtime Conversation event on this day.
Read MorePlace was perhaps the key theme underpinning Griet Beyeart and Silvia Liebig’s 2023 exhibition, ‘Junction’. Consisting of an installation and video art, with an aural landscape created by Beyeart, the exhibition was part of Liebig’s ongoing ‘Neuland’ project.
Read MoreResidents of South Leeds may remember Silvia Liebig from her time spent here in 2019, just before the outbreak of the pandemic. As part of East Streets Arts long running Artist House 45 residency project (2015-19), that also included Lloyd&Wilson, She was a resident of the house during 2019.
Read MoreThe unusual texture of printed plastic, slightly warped due to AI filling in gaps, allow onlookers to discern between works cast in pewter and jesmonite. These ‘copies’ of works usually guarded behind glass evoke cultural memory yet leave viewers with a sense of remembrance just out of reach
Read More…my process is a hit and run technique, I can be anywhere and I might see something that grabs my attention, a shape a form that is different so like a photographer I want to capture that moment but instead of it being two dimensional it’s in the three dimensional realm.
Read More2023 was, for me, a tale of two birthdays. It was the year that I turned fifty-one and resigned from my job of nineteen years with the Henry Moore Institute. It also represented thirty-four years, to the day, since I took on my first proper job, beyond a paper round, with Sainsbury’s.
Read MoreI have always considered a mix of experience and enthusiasm in the programme to be a healthy thing, as experience riffs off enthusiasm and vice versa.
Read MoreWhilst I always understood that Jacob’s Ladder would be a labour of love for both myself, as BasementArtsProject: the commissioning organisation, and for sculptor Keith Ackerman, I knew that it would definitely take longer than the one-hundred days of the Yorkshire Sculpture International 2019. But we never imagined the three year odyssey that it would become thanks to the C***d pandemic lockdowns.
Read MoreHaving worked as a Police Forensic Artist, McDonagh’s current practice is not too far removed from a world in which the gaps in reality are filled in by imagination. She has moved her attention from the world of reconstructing human identities for the purpose of identification, to the reconstruction of abandoned human habitation through architecture and found objects.
Read MoreFor the last few months I have been in discussion with artist Paul Digby about his latest sculpture project ‘Looking To The Future: Emily’, and talking about BasementArtsProject’s position as co-creator on it.
Read MoreBeneath the surface of the locked down world the oxygen is running low. The tiny life support capsules sustaining our presence in the airless vacuum of millions of hard-drives, can only sustain three dimensional life for so long. It is time to head for the surface, but not too rapidly.
Read MoreSo how do we get past the problem of perception, access and desire. Life is about dialogue, that is how we learn. We educate ourselves through experience, we find the edge of our zone of comfort and understanding and we push past it, through to what lies beyond.
Read MoreDuring the Lockdown I received an update from the studio of Yol, and just before I left another video update arrived in which he appeared to be trapped inside the Coronaverse. I shall leave you with his emergency transmission.
Read MoreAt the studio in which I have spent the last four days, I pack up my things for the final time and prepare to head for the Torhaus. Today is the opening of the exhibition ‘Meine Welt Auf Corona’ and as soon as it is done I have to head back to the station so that I can catch my train home.
Read MoreToday is essentially a free day. With the exhibition now fully installed and all of the tech stuff working properly, I can spend the day taking in some art elsewhere. I have arranged to meet Sylvia and Christiane at the Dusseldorf U building.
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