Posts in collage
Underground with Sharon McDonagh: An Eye For Detail

Having worked as a Police Forensic Artist, McDonagh’s current practice is not too far removed from a world in which the gaps in reality are filled in by imagination. She has moved her attention from the world of reconstructing human identities for the purpose of identification, to the reconstruction of abandoned human habitation through architecture and found objects.

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Lockdown Journal: Dortmund Edition [Yol]

During the Lockdown I received an update from the studio of Yol, and just before I left another video update arrived in which he appeared to be trapped inside the Coronaverse. I shall leave you with his emergency transmission.

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Lockdown Journal: Dortmund Edition [Travelogue 05]

At the studio in which I have spent the last four days, I pack up my things for the final time and prepare to head for the Torhaus. Today is the opening of the exhibition ‘Meine Welt Auf Corona’ and as soon as it is done I have to head back to the station so that I can catch my train home.

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Lockdown Journal: Dortmund Edition [Lou Hazelwood]

Moving out of lockdown, the world is opening up, a chasm to be filled by STEM courses at Universities where the arts are systematically destroyed in an attempt to keep the economy going.

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BasementArtsProject | INVITATION TO PARTICIPATE IN OUR 10th ANNIVERSARY PROJECT

Many of our discussions in previous weeks have been about the intervening 10 years as much as they have involved what this project will entail. Our discussions have also revolved around situationist ideas and strategies, phenomenological understandings of environment and our engagement with people as artists and individuals.

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BasementArtsProject | DECADE: A Conversation with Kimbal Bumstead #3

there is something really fascinating about revisiting, reworking and stripping back. Sanding down the floor of the studio, peeling back layers of varnish and paint that had become caked on the floor was both an incredibly satisfying feeling - like cleaning a dirty kitchen and then seeing it sparkle

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LOCKDOWN JOURNAL 2.3: Paul Digby #1

. . . the fact that there is much art out there that most of us will never be able to experience firsthand does not mean that there is no point in trying to experience or understand it.

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LOCKDOWN JOURNAL: COVID-19.47 (Silvia Liebig)

Was the sky ever so blue over my Ruhr Valley? Sun. It is warm. But there is no clatter of dishes from the balconies, no humming of people's voices in the cafés. The roaring of the airplane engines is also missing. The honking and screeching, the pattering and stomping, the too loud music of the neighbour, the annoying sound of the leaf blower.

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LOCKDOWN JOURNAL: COVID-19.43 (Alan Dunn)

March 2020, live updates from The sounds of ideas forming, Volume 2 (Instagram - @alandunn67), exploring the fragility and tangibility of vinyl sleeves in domestic settings. Recent instalments:

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LOCKDOWN JOURNAL: COVID-19.42 (Curatorspace)

CuratorSpace Courses is a course and workshop listing platform which we've built to let artists and arts professionals move their IRL courses online and list them for free during the pandemic. We’re hoping it will make it easier for people to make a living in these difficult times, as well as giving others a chance to learn something new while they are in lockdown or self isolating.

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LOCKDOWN JOURNAL: COVID-19.41 (Ian Pepper)

Ian Pepper is a multidisciplinary figurative artist inspired by New Scottish Painting, German Expressionism and Outsider Art. He is chiefly interested in exploring human relationships and the ways in which people gather together to form different cultural groups.

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LOCKDOWN JOURNAL: COVID-19.12 (BasementArtsProject)

(Includes new work by Alan Dunn) Looking back on the last couple of weeks, it feels like the art world was ahead of the government in terms of the Coronavirus and forced a change of course before it would actually have happened.

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