And so in the darkness of the winter months of 2024, we open our programme for the year with an exhibition that creates a sense of place, whilst also being somehow dislocated from the realm of the real world.
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The unusual texture of printed plastic, slightly warped due to AI filling in gaps, allow onlookers to discern between works cast in pewter and jesmonite. These ‘copies’ of works usually guarded behind glass evoke cultural memory yet leave viewers with a sense of remembrance just out of reach
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