We sit around in the MA seminar space trying to come up with a title for this group exhibition. The students have some words like ETHEREAL and MATTER and we ask AI but it comes up with frankly ridiculous suggestions. ETHEREAL MATTER it is then, but with the first E faded out to suggest it’s THE REAL MATTER. What does it mean?
Read MoreHelen Wood takes the mirror of concern and presents a series of works highlighting the nature of consumption, material production and the paradox that is the notion of green growth.
Read More‘Traumas of The Flesh’ looks at feminist issues and their impact on mental health. For this exhibition Mo Robertson builds an immersive environment containing a series of sculptures made from textiles and casting material.
Read MoreVisual art is also a language, one which many people would suggest that they “don’t understand” but, I would argue, that it allows for a form of dialogue between people that the spoken word does not encourage.
Read MoreBasementArtsProject interviewed Jeffrey Knopf in Manchester ahead of taking his work to Colchester for the Sluice Expo 2014
Read MoreIan Thomson reflects on the nature of his sound work ‘Underground Lift’ and the connection between the inner ear and the Holbeck interchange.
‘Lost Portals’ continues at BasementArtsProject until Friday 26th April. There will also be a Lunchtime Conversation event on this day.
Read MoreDismantle everything
and meet the edges (the edges bleed)
The unusual texture of printed plastic, slightly warped due to AI filling in gaps, allow onlookers to discern between works cast in pewter and jesmonite. These ‘copies’ of works usually guarded behind glass evoke cultural memory yet leave viewers with a sense of remembrance just out of reach
Read More…my process is a hit and run technique, I can be anywhere and I might see something that grabs my attention, a shape a form that is different so like a photographer I want to capture that moment but instead of it being two dimensional it’s in the three dimensional realm.
Read More2023 was, for me, a tale of two birthdays. It was the year that I turned fifty-one and resigned from my job of nineteen years with the Henry Moore Institute. It also represented thirty-four years, to the day, since I took on my first proper job, beyond a paper round, with Sainsbury’s.
Read MoreHaving worked as a Police Forensic Artist, McDonagh’s current practice is not too far removed from a world in which the gaps in reality are filled in by imagination. She has moved her attention from the world of reconstructing human identities for the purpose of identification, to the reconstruction of abandoned human habitation through architecture and found objects.
Read MoreFor the last few months I have been in discussion with artist Paul Digby about his latest sculpture project ‘Looking To The Future: Emily’, and talking about BasementArtsProject’s position as co-creator on it.
Read MoreBeneath the surface of the locked down world the oxygen is running low. The tiny life support capsules sustaining our presence in the airless vacuum of millions of hard-drives, can only sustain three dimensional life for so long. It is time to head for the surface, but not too rapidly.
Read MoreSo how do we get past the problem of perception, access and desire. Life is about dialogue, that is how we learn. We educate ourselves through experience, we find the edge of our zone of comfort and understanding and we push past it, through to what lies beyond.
Read MoreWhen we lose a sense of purpose we lose our sense of the future, and that is where hopelessness slips into the void and feeds our deepest fears. That is the point at which the sun sets never to rise again.
Read MoreToday is essentially a free day. With the exhibition now fully installed and all of the tech stuff working properly, I can spend the day taking in some art elsewhere. I have arranged to meet Sylvia and Christiane at the Dusseldorf U building.
Read MoreMoving out of lockdown, the world is opening up, a chasm to be filled by STEM courses at Universities where the arts are systematically destroyed in an attempt to keep the economy going.
Read MoreThursday 22nd October
Today I am meeting Viennese artists Christiana Spatt and Maria Hanl at the Torhaus. Maria’s work is a film piece and has already been installed, Christiane is a painter and photographer and her work is the final piece in the Corona jigsaw.
Read MoreMan is not rational; only what encompasses him is intelligent
Read More
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