Jeffrey Knopf | An Interview

BasementArtsProject interviewed Jeffrey Knopf in Manchester ahead of taking his work to Colchester for the Sluice Expo 2014

Hit The Deck! Doors Closing,Lift Going Down…

Ian Thomson reflects on the nature of his sound work ‘Underground Lift’ and the connection between the inner ear and the Holbeck interchange.

‘Lost Portals’ continues at BasementArtsProject until Friday 26th April. There will also be a Lunchtime Conversation event on this day.

Excavating The Future

The unusual texture of printed plastic, slightly warped due to AI filling in gaps, allow onlookers to discern between works cast in pewter and jesmonite. These ‘copies’ of works usually guarded behind glass evoke cultural memory yet leave viewers with a sense of remembrance just out of reach

That Which We Thought We Knew: The studio practice of Jeffrey Knopf

…my process is a hit and run technique, I can be anywhere and I might see something that grabs my attention, a shape a form that is different so like a photographer I want to capture that moment but instead of it being two dimensional it’s in the three dimensional realm.

A Tale of Three Birthdays (and some reminiscences)

2023 was, for me, a tale of two birthdays. It was the year that I turned fifty-one and resigned from my job of nineteen years with the Henry Moore Institute. It also represented thirty-four years, to the day, since I took on my first proper job, beyond a paper round, with Sainsbury’s.

Underground with Sharon McDonagh: An Eye For Detail

Having worked as a Police Forensic Artist, McDonagh’s current practice is not too far removed from a world in which the gaps in reality are filled in by imagination. She has moved her attention from the world of reconstructing human identities for the purpose of identification, to the reconstruction of abandoned human habitation through architecture and found objects.

Looking To The Future: Emily

For the last few months I have been in discussion with artist Paul Digby about his latest sculpture project ‘Looking To The Future: Emily’, and talking about BasementArtsProject’s position as co-creator on it.

Entering the decompression chamber and a new era

Beneath the surface of the locked down world the oxygen is running low. The tiny life support capsules sustaining our presence in the airless vacuum of millions of hard-drives, can only sustain three dimensional life for so long. It is time to head for the surface, but not too rapidly.

Abandonment Issues and the Language of Art

So how do we get past the problem of perception, access and desire. Life is about dialogue, that is how we learn. We educate ourselves through experience, we find the edge of our zone of comfort and understanding and we push past it, through to what lies beyond.

Art From The Ground Up: Not Letting Culture Lose!

So, 2023 is still a thing; by which I mean Leeds2023. Despite the fact that Brexit put paid to any opportunity for UK cities to present their wares on a European stage, Leeds has committed itself to ensuring that 2023 remains an important year for the city in terms of culture; despite the funding and exposure being cut off by political dispute.

Back To Life, Back To Reality

When we lose a sense of purpose we lose our sense of the future, and that is where hopelessness slips into the void and feeds our deepest fears. That is the point at which the sun sets never to rise again.

Lockdown Journal: Dortmund Edition [Travelogue 04]

Today is essentially a free day. With the exhibition now fully installed and all of the tech stuff working properly, I can spend the day taking in some art elsewhere. I have arranged to meet Sylvia and Christiane at the Dusseldorf U building.

Lockdown Journal: Dortmund Edition [Lou Hazelwood]

Moving out of lockdown, the world is opening up, a chasm to be filled by STEM courses at Universities where the arts are systematically destroyed in an attempt to keep the economy going.

Lockdown Journal: Dortmund Edition [Travelogue 03]

Thursday 22nd October

Today I am meeting Viennese artists Christiana Spatt and Maria Hanl at the Torhaus. Maria’s work is a film piece and has already been installed, Christiane is a painter and photographer and her work is the final piece in the Corona jigsaw.

Lockdown Journal: Dortmund Edition [ArtCouple]

Man is not rational; only what encompasses him is intelligent

Lockdown Journal: Dortmund Edition [Travelogue 01]

Today, I depart for the Industrial Rhineland of Westphalia, specifically the city of Dortmund for an exhibition entitled ‘Meine Welt Auf Corona’ (My World After Corona).

Art From The Ground Up: A Post-Pandemic Future

The question is how to achieve those elusive steps to improvement, how to train your vision on a new horizon and attempt to take people with you on that journey.

Chloe Harris: AMAZON PRINT SERIES: A Lockdown Perspective 2021 #5

In the scene pictured, here, the ”Feeders” take parcels from the metal or cardboard containers (pictured on both side of the print) onto the belt at a constant pace, starting the operations.

LOCKDOWN JOURNAL COVID-19.53 (Lou Hazelwood)

In the midst of lockdown I felt like I should have been reading, disappearing in to worlds, escaping, but I needed to be present too. So I found that I could get lost in box sets, subtitled box sets, the best of both worlds present but not, reading and listening consumed as a whole.

Lockdown Journal: COVID-19.49 (Howard Eaglestone)

he source material, a photo of a wrapped garden ornamental pedestal, was sent to me by my American pal and painter Peter Waite.

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28 Back Burton Terrace
Beeston, Leeds, LS11 5JH

Securing The Future of Community Through The Arts