It is the position of BasementArtsProject when commissioning projects, to do so in such a way that allows a project room to grow and develop over time. In doing so it allows a multitude of reference points to emerge; the intention of the artist, the purpose of BasementArtsProject and the needs of the audience.
Read MoreA key aspect to the work I do as an artist is thinking through making. Ideas do not come from nowhere; seeds are planted at some point, carried through the air and land somewhere somehow, perhaps unexpectedly.
Read MoreIan Thomson reflects on the nature of his sound work ‘Underground Lift’ and the connection between the inner ear and the Holbeck interchange.
‘Lost Portals’ continues at BasementArtsProject until Friday 26th April. There will also be a Lunchtime Conversation event on this day.
Read MoreAnd so in the darkness of the winter months of 2024, we open our programme for the year with an exhibition that creates a sense of place, whilst also being somehow dislocated from the realm of the real world.
Read MoreDismantle everything
and meet the edges (the edges bleed)
Route Motif represents a first for the artist Chloe Harris and another first for Basement. Chloe is a young artist at the very beginning of her career, educated at Exeter School of Art, and who has recently become a full member of the Society of Women Artists. Over the last three years she has exhibited as an Associate Member in their Annual Group Exhibitions. Her show at BasementArtsProject represents her first solo project as an artist.
Read MoreThe exhibition ‘Squaring the Circle’ by Loane Bobillier comes at a point where we can look back at National and International events of recent years and question our place within the framework of a rapidly changing society.
Read MoreThe ‘Emergence’ exhibition looks at the energy that transforms material and gives new form to that which already exists. It is about the hand of the artist in the transformation process, the mind of the artist in the conception of the work and it is about the nature of the material being transformed.
Read MoreAs we emerge into a post-pandemic world, rubbing our eyes and blinking in the sunlight, the importance of the root system becomes apparent. The things that we thought may not survive did in fact just die back for an exceptionally long winter.
Read MoreI still love Leeds, I guess you always do when it’s your hometown. I studied my foundation at Jacob Kramer 1990-91 after doing Photography O & A levels at my school. I failed my art O level and am really glad I did!
Read MoreAfter a career as a Chartered Electrical Engineer I came to sculpting late. Following sculpting courses at Bradford and York colleges, including 7 years with the sculptor Dominic Hopkinson, I concentrated on stone carving and glass casting as my main artistic processes. My sculptures are abstract and often made from local stone.
Read MoreOver the last eight years BasementArtsProject has become something of an immersive project. It is immersive for the viewer in so much as when you enter this subterranean space you become at one with it, the outside world temporarily an irrelevance.
Read More‘MantlePiece’ is a sculptural installation by Leeds based duo Lens&Chisel; sculptor Keith Ackerman and light artist / photographer Adam Glatherine. Gallery of Images
Read MoreA lecture by Dominic Hopkinson
Sunday 26.04.15 | 3pm – 4pm
(The following lecture and tour of the work took place on a sunny Sunday afternoon in the cool subterranean exhibition space that is BasementArtsProject)
Read MoreIn the gap between reality and the virtual lies a myriad of vexed questions and compelling visions of another world, a world that is tormentingly close yet only ever briefly glimpsed through a crack in logic.
Read MoreCome the dark, post-Christmas lull of January and the work arrives by van from London containing works by Hanz Hancock, Patrick Morrissey, Charley Peters, Giulia Ricci, Sarah Sparkes, Andy Wicks, Ben Woodeson, John Workman and from Leeds WalkerHill; the collaborative partnership of Michael Walker and Martyn Hill.
Read More‘It Will Come To Me ‘ is a title that came in to being during a late night conversation via Facebook chat messenger with Samela Otoviç. The main thrust of the conversation was concerned with what the title of the aforementioned exhibition should be.
Read MoreAlistair Woods has something of a Steptoe and Son approach to the production of artworks. For Woods the hedgerows, back alleys and gutters are a veritable treasure trove of nostalgia, a world in which objects relinquish their histories and meaning in favour of a new lease of life.
Read MoreThe system cannot cope with chaos. Randomness and Disorder are anathema to a structure based on predictability. Art, in its multiplicity of forms lies at the centre of a paradox when forced to consider it’s true role in society.
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