As we move further into 2020 it is time for an update on what is happening here at BasementArtsProject with regards to our programme.
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This post from the studio of Ian Pepper, focuses on another aspect of his work which involves collage:
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The folks at Beyond Photography have devised a downloadable publication to assist people with their creativity during the lockdown period.
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BasementArtsProject’s first encounter with Michael Borkowsky was in 2014 when he was one of the artists to exhibit in Jamestown, New York with SCIBase; a collaborative project between Liverpool based SCI collective and BasementArtsProject. Since then Borkowsky has exhibited twice at BasementArtsProject.
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The End
About a day before Easter we were awoken to strange noises coming from the direction of the window that had the scaffolding outside—as if workers were working on it—unlikely in the lockdown.
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Day 6 – Phil Collins – Altered Images – Die Antwoord – Carla Bozulich – Face Value – Donker Mag – BITE – Septic Death – Pusmort – home – virus – grey – black – white – sick
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Allow me to introduce Harley and Parker. Harley is the tall one with the fabulous hair, and Parker is the short one with the sharp suits dress sense. Harley speaks in italics. They are BFFEs (Best Friends For Eternity because it sounds more ominous).
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Khansa Kadim is a neo-abstract figurative painter and graduate of Salford University. After taking a decade off from making work I have returned to art.
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Anyone who attended the ‘Feast of Beeston’ and ‘Welcome To My World’ exhibitions by Ian Pepper at BasementArtsProject will be familiar with an array of macabre characters such as Frankie Teabags and Edgar Allen Crow, and their distinct personalities.
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Day 5 – SWANS – noise – SWANS – not buying ticket for forthcoming Liverpool gig – dog – Lulu – at maximum noise – SLAVE – mum – CHER – HER noise – ISIS – THIS IS – GOD – young god
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We are still only four months into 2020 yet January seems like an absolute lifetime away.
Friday 31st January was an interesting day for many reasons; it being the second time in a fortnight that I had managed to extricate myself from Yorkshire in the name of art pursuits.
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‘Dwell Time’ is an award winning, not-for-profit arts publication reflecting on mental wellbeing. Produced and curated by Alice Bradshaw, Vanessa Haley & Lenny Szrama in collaboration with Penistone Line Partnership. Founded in 2018. Currently funded by Penistone Line Partnership, Community Rail Network, Northern & CrossCountry.
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