How do I create art using materials that are accessible and affordable without compromising the quality of my work?
This question was the beginning of my metamorphosed way of working.
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‘Decompressed Time Frames’ (the exhibition formerly known as ‘Compressed Time Frames’) opens with the extension of a work begun as part of the 2017 Leeds Light Night, in which Bradley mobilised his audience, attached by an unsafe rock climbers rope, and traversed the city from art venue to art venue.
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When we lose a sense of purpose we lose our sense of the future, and that is where hopelessness slips into the void and feeds our deepest fears. That is the point at which the sun sets never to rise again.
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It is hardly surprising, that since reopening BasementArtsProject in August, the nature of the exhibitions have been somewhat political. Pushing through a time of great turmoil and upheaval as we are doing right now, things that have been bubbling under for a long time have quite predictably and reasonably come to the surface.
Read More![Lockdown Journal: Dortmund Edition [Yol]](https://images.squarespace-cdn.com/content/v1/5a32eeef7131a54afcc07e5f/1635756549798-2YHKYICM9NDGQX3NEKXO/Screenshot+2021-11-01+at+08.47.39.png)
During the Lockdown I received an update from the studio of Yol, and just before I left another video update arrived in which he appeared to be trapped inside the Coronaverse. I shall leave you with his emergency transmission.
Read More![Lockdown Journal: Dortmund Edition [Travelogue 05]](https://images.squarespace-cdn.com/content/v1/5a32eeef7131a54afcc07e5f/1635717328362-QOB0TZPGLVRBWX4CHSEM/IMG_7045+2.jpeg)
At the studio in which I have spent the last four days, I pack up my things for the final time and prepare to head for the Torhaus. Today is the opening of the exhibition ‘Meine Welt Auf Corona’ and as soon as it is done I have to head back to the station so that I can catch my train home.
Read More![Lockdown Journal: Dortmund Edition [Travelogue 04]](https://images.squarespace-cdn.com/content/v1/5a32eeef7131a54afcc07e5f/1635117880847-SRT6NNJDF9ZL9NB46L88/IMG_6872.JPG)
Today is essentially a free day. With the exhibition now fully installed and all of the tech stuff working properly, I can spend the day taking in some art elsewhere. I have arranged to meet Sylvia and Christiane at the Dusseldorf U building.
Read More![Lockdown Journal: Dortmund Edition [Lou Hazelwood]](https://images.squarespace-cdn.com/content/v1/5a32eeef7131a54afcc07e5f/1635112055249-DRPLKRKP6YYPLPCV9SBU/Circumvent%2C+Join+the+Dots.png)
Moving out of lockdown, the world is opening up, a chasm to be filled by STEM courses at Universities where the arts are systematically destroyed in an attempt to keep the economy going.
Read More![Lockdown Journal: Dortmund Edition [Travelogue 03]](https://images.squarespace-cdn.com/content/v1/5a32eeef7131a54afcc07e5f/1635000200597-OLEKHCCN8KU8K8TKXNR2/IMG_6884.JPG)
Thursday 22nd October
Today I am meeting Viennese artists Christiana Spatt and Maria Hanl at the Torhaus. Maria’s work is a film piece and has already been installed, Christiane is a painter and photographer and her work is the final piece in the Corona jigsaw.
Read More![Lockdown Journal: Dortmund Edition [Adekola]](https://images.squarespace-cdn.com/content/v1/5a32eeef7131a54afcc07e5f/1634834352930-VVHVCJ75MU04WTN9ALT7/Screenshot+2021-10-21+at+18.37.43.png)
Yesterday in a special edition of the Lockdown Journal, we updated you on the status of the ‘Compressed Time Frames’ exhibition by ArtCouple, and today I bring you some material by Abdullah Adekola, poet and founder of the Black led and Leeds based poetry collective ‘Say It. With Your Chest’. We hope to be working with Adekola in the very near future, watch this space.
Read More![Lockdown Journal: Dortmund Edition [Travelogue 02]](https://images.squarespace-cdn.com/content/v1/5a32eeef7131a54afcc07e5f/1634923502966-5QKJ51ZWVMFHIMHDP90Q/IMG_6768+4.JPG)
The city streets do not seem to be very busy with cars. There is a hire system for electric scooters, they are everywhere and people just leave them parked at the edge of the pavement. Bikes are also popular. Dortmund feels like a city with an environmental conscience.
Read More![Lockdown Journal: Dortmund Edition [ArtCouple]](https://images.squarespace-cdn.com/content/v1/5a32eeef7131a54afcc07e5f/1634830612369-EWYWYKRQU8FA5AQQ1J4Q/ArtCoupleShadow2.jpg)
Man is not rational; only what encompasses him is intelligent
Read More![Lockdown Journal: Dortmund Edition [Travelogue 01]](https://images.squarespace-cdn.com/content/v1/5a32eeef7131a54afcc07e5f/1634825417813-WTWG3XJLOI7BJB5PVY9E/IMG_6737.JPG)
Today, I depart for the Industrial Rhineland of Westphalia, specifically the city of Dortmund for an exhibition entitled ‘Meine Welt Auf Corona’ (My World After Corona).
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The work of Lou Hazelwood and Chris Graham, when working as a duo, seeks to make sense of the slippage from one political and philosophical state to another.
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The ‘Emergence’ exhibition looks at the energy that transforms material and gives new form to that which already exists. It is about the hand of the artist in the transformation process, the mind of the artist in the conception of the work and it is about the nature of the material being transformed.
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As we emerge into a post-pandemic world, rubbing our eyes and blinking in the sunlight, the importance of the root system becomes apparent. The things that we thought may not survive did in fact just die back for an exceptionally long winter.
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Paul Digby’s final entry for the journal on his latest work ‘Shopping’
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In the scene pictured, here, the ”Feeders” take parcels from the metal or cardboard containers (pictured on both side of the print) onto the belt at a constant pace, starting the operations.
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Many of our discussions in previous weeks have been about the intervening 10 years as much as they have involved what this project will entail. Our discussions have also revolved around situationist ideas and strategies, phenomenological understandings of environment and our engagement with people as artists and individuals.
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this was the first time I conceptually considered presence and absence of the figure and the space around the figure, and this has kept with me ever since.
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