A New Weird Albion

It is hardly surprising, that since reopening BasementArtsProject in August, the nature of the exhibitions have been somewhat political. Pushing through a time of great turmoil and upheaval as we are doing right now, things that have been bubbling under for a long time have quite predictably and reasonably come to the surface.

Art, Art as Education, Art as Employment, Art as Empowerment, Art as Engagement, Art as Entertainment, BasementArtsProject, Brexit, collage, Community, Contemporary Art, Coronavirus, Covid-19, Digital, Gallery, Lifelong learning, Lockdown Journal, painting, Sculpture, sustainability, Virtual Art Gallery, working class, working class access, workshopsBruce DaviesNovember 5, 2021BaseART, Brexit, basementArtsProject, studiojournal, Boris Johnson, Racist, Racism, Borders, Small Boats, Letterboxes, Tropes, BAProgramme2021, culture, COVID-19, pandemic, Lockdown, lockdownart, John Moores painting Prize, painting, engagement, Exhibition, installation art, Independent, journal, lockdownjournal, Leeds, Museums, monuments, Nicholas Vaughan, statues, sustainability, UK, UK Government, Visual art, work, YorkshireComment

Once More Unto The Breach (Repeat Ad Infinitum)

The work of Lou Hazelwood and Chris Graham, when working as a duo, seeks to make sense of the slippage from one political and philosophical state to another.

For invitations to our Exhibitions and Events

BasementArtsProject
28 Back Burton Terrace
Beeston, Leeds, LS11 5JH

Securing The Future of Community Through The Arts