Gatekeepers of The Body is an exhibition by Middleton based Artist Annabelle Richmond-Wright. It is also the first stage of a public sculpture project, the second in four stages designed to revive the fortunes of our community here in South Leeds
Read MoreVisual art is also a language, one which many people would suggest that they “don’t understand” but, I would argue, that it allows for a form of dialogue between people that the spoken word does not encourage.
Read MoreThe Metaphorical Museum really exists, we just don’t realise it. Just like our memories It exists in a place where time, the 4th dimension, collapses and inhabits the 3 dimensions of physical space. It is a place of invention, innovation, excavation, examination and learning.
Read MoreDismantle everything
and meet the edges (the edges bleed)
Beware of Artists, they mix with all classes of society’
A popular meme from the internet of today allegedly has its origins in a warning from King Leopold of Belgium to Queen Victoria, when in 1845 he wrote
Read More‘dealings with artists, for instance, require great prudence; they are acquainted with all classes of society, and for that reason are dangerous; they are hardly ever satisfied, and when you have too much to do with them, you are sure to have des ennuis’
The exhibition ‘Squaring the Circle’ by Loane Bobillier comes at a point where we can look back at National and International events of recent years and question our place within the framework of a rapidly changing society.
Read MoreCrazy Eddie can often be found sat in his local coffee shop with a random object before him on the table. The job of understanding comes from observation. Edward Mortimer has been creating sculptural artworks for some thirty years. His works are simultaneously humorous, nightmarish and weird but crucially, always well observed.
Read More‘Decompressed Time Frames’ (the exhibition formerly known as ‘Compressed Time Frames’) opens with the extension of a work begun as part of the 2017 Leeds Light Night, in which Bradley mobilised his audience, attached by an unsafe rock climbers rope, and traversed the city from art venue to art venue.
Read MoreIt is hardly surprising, that since reopening BasementArtsProject in August, the nature of the exhibitions have been somewhat political. Pushing through a time of great turmoil and upheaval as we are doing right now, things that have been bubbling under for a long time have quite predictably and reasonably come to the surface.
Read MoreThe work of Lou Hazelwood and Chris Graham, when working as a duo, seeks to make sense of the slippage from one political and philosophical state to another.
Read MoreThe ‘Emergence’ exhibition looks at the energy that transforms material and gives new form to that which already exists. It is about the hand of the artist in the transformation process, the mind of the artist in the conception of the work and it is about the nature of the material being transformed.
Read MoreAs we emerge into a post-pandemic world, rubbing our eyes and blinking in the sunlight, the importance of the root system becomes apparent. The things that we thought may not survive did in fact just die back for an exceptionally long winter.
Read MoreAnd so it is that on a warm sunny morning in late March, with the smell of oil paint and turps hanging on the air, BasementArtsProject turns a corner and enters a new phase in its existence.
Read MoreThe ArtRun began life as a simple idea; the commitment to, and execution of, an idea. For Debs, the originator of the concept, this meant using a physical activity to consider what it means to be an artist. Debs is not an artist, but neither is she a runner so both aspects of the idea were essentially a meditation on perseverance.
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