Posts in Digital
Gatekeepers of The Body/I've Got You, You've Got Me

Gatekeepers of The Body is an exhibition by Middleton based Artist Annabelle Richmond-Wright. It is also the first stage of a public sculpture project, the second in four stages designed to revive the fortunes of our community here in South Leeds

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Kimbal Bumstead |ReMake ReUse. ReImagine

A key aspect to the work I do as an artist is thinking through making. Ideas do not come from nowhere; seeds are planted at some point, carried through the air and land somewhere somehow, perhaps unexpectedly.

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Hit The Deck! Doors Closing,Lift Going Down…

Ian Thomson reflects on the nature of his sound work ‘Underground Lift’ and the connection between the inner ear and the Holbeck interchange.

‘Lost Portals’ continues at BasementArtsProject until Friday 26th April. There will also be a Lunchtime Conversation event on this day.

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Degrees of Separation

The Metaphorical Museum really exists, we just don’t realise it. Just like our memories It exists in a place where time, the 4th dimension, collapses and inhabits the 3 dimensions of physical space. It is a place of invention, innovation, excavation, examination and learning.

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Neuland, Familiar Longing: Griet Beyeart & Silvia Liebig’s ‘Junction’

Place was perhaps the key theme underpinning Griet Beyeart and Silvia Liebig’s 2023 exhibition, ‘Junction’. Consisting of an installation and video art, with an aural landscape created by Beyeart, the exhibition was part of Liebig’s ongoing ‘Neuland’ project.

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All Roads Roam To Leeds

Route Motif represents a first for the artist Chloe Harris and another first for Basement. Chloe is a young artist at the very beginning of her career, educated at Exeter School of Art, and who has recently become a full member of the Society of Women Artists. Over the last three years she has exhibited as an Associate Member in their Annual Group Exhibitions. Her show at BasementArtsProject represents her first solo project as an artist.

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Decompressed Time Frames and the Interconnectedness of Things

‘Decompressed Time Frames’ (the exhibition formerly known as ‘Compressed Time Frames’) opens with the extension of a work begun as part of the 2017 Leeds Light Night, in which Bradley mobilised his audience, attached by an unsafe rock climbers rope, and traversed the city from art venue to art venue.

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A New Weird Albion

It is hardly surprising, that since reopening BasementArtsProject in August, the nature of the exhibitions have been somewhat political. Pushing through a time of great turmoil and upheaval as we are doing right now, things that have been bubbling under for a long time have quite predictably and reasonably come to the surface.

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Once More Unto The Breach (Repeat Ad Infinitum)

The work of Lou Hazelwood and Chris Graham, when working as a duo, seeks to make sense of the slippage from one political and philosophical state to another.

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The Entropic Effect In A Zero Sum Universe

The ‘Emergence’ exhibition looks at the energy that transforms material and gives new form to that which already exists. It is about the hand of the artist in the transformation process, the mind of the artist in the conception of the work and it is about the nature of the material being transformed.

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A New World In The Morning

As we emerge into a post-pandemic world, rubbing our eyes and blinking in the sunlight, the importance of the root system becomes apparent. The things that we thought may not survive did in fact just die back for an exceptionally long winter.

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Sluice: A Sale of Two Cities

As the city fills with art world luminaries in some of the swankiest venues London has to offer, so to do the train arches and un-let spaces with artists whose worlds are similarly governed by this most strange and incomprehensible of life choices.

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When Worlds Collide

Welcome to My World is the second exhibition in 2016 that has been led by artist and musician Ian Pepper, and it comes on the back of the Leeds Inspired funded project A Feast of Beeston.

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Surface Tension

…the sedimentary nature of her creative practice seemed to run parallel with another strand of thought, present in much of her work, surrounding kitsch objects; that which is cheap and mass produced.

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An Extra Seat at The Table...

In January 2016 artist Ian Pepper began a project, commissioned by BasementArtsProject and supported by Leeds Inspired, to realise an exhibition that had at its core life in South Leeds.

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The Project: A Report

In January 2015 six students from Leeds Beckett University met up with six family groups located in the South Leeds area to begin a film project that had been in the starting gate for some time.

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A Circular Tour of The Irrational

A lecture by Dominic Hopkinson
Sunday 26.04.15 | 3pm – 4pm

(The following lecture and tour of the work took place on a sunny Sunday afternoon in the cool subterranean exhibition space that is BasementArtsProject)

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Another Room

Come the dark, post-Christmas lull of January and the work arrives by van from London containing works by Hanz Hancock, Patrick Morrissey, Charley Peters, Giulia Ricci, Sarah Sparkes, Andy Wicks, Ben Woodeson, John Workman and from Leeds WalkerHill; the collaborative partnership of Michael Walker and Martyn Hill.

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Taking The Proud Highway

The system cannot cope with chaos. Randomness and Disorder are anathema to a structure based on predictability. Art, in its multiplicity of forms lies at the centre of a paradox when forced to consider it’s true role in society.

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