Posts tagged Art
Sous Le Pave Le Plage

[…] the purpose of art is not about putting people down and making them feel small and uneducated, that is the machiavellian hand of the state as it tries to quell thought, cancel dissent and avoid the kind of introspection that could lead to people gaining an understanding of their own thoughts and feelings. Art is about self-expression and learning to work things out for ourselves.

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Four Women in Metalwork

Down in the gloomy half light at the rear of the basement hangs a massive stylised bat constructed in stainless steel. Its hinged wings give the impression that it could take flight at any moment. It is a work that feels light despite its size.

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Helen Woods | Sphere of Influence/Mirror of Repetition

Helen Wood takes the mirror of concern and presents a series of works highlighting the nature of consumption, material production and the paradox that is the notion of green growth.

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Mo Robertson | Traumas of The Flesh

Traumas of The Flesh’ looks at feminist issues and their impact on mental health. For this exhibition Mo Robertson builds an immersive environment containing a series of sculptures made from textiles and casting material.

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The Project: A Report

In January 2015 six students from Leeds Beckett University met up with six family groups located in the South Leeds area to begin a film project that had been in the starting gate for some time.

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COLONIZE: Jamestown, New York USA

SCIBase was established in 2012 as a collaborative vehicle for artists associated with SCI (Soup Collective International), based primarily in the Northwest of England and run by Wendy Williams in collaboration with BasementArtsProject Leeds.

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Home Is Where The Art Is.

As we leave behind the port of Liverpool and bring the work of SCIBase to Leeds for one final outing in 2012, ‘INHOSPITABLE 1.1’ becomes the marriage of three distinct exhibitions into one coherent narrative, driven by the input of all involved. Along with the shift in cities comes a shift in style and a new set of rules and curatorial concerns emerge.

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‘Hey Artists, Gotta Dollar . . . Thought Not!’

What began as a slightly tongue in cheek title for the second and third in a series of exhibitions has, for me at least, become a point of serious consideration. Originally the title INHOSPITABLE referred to the site for the second SCIBase exhibition at the Bridewell Studios, a former police station, on the edge of Liverpool city centre.

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