Visual art is also a language, one which many people would suggest that they “don’t understand” but, I would argue, that it allows for a form of dialogue between people that the spoken word does not encourage.
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The Metaphorical Museum really exists, we just don’t realise it. Just like our memories It exists in a place where time, the 4th dimension, collapses and inhabits the 3 dimensions of physical space. It is a place of invention, innovation, excavation, examination and learning.
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The exhibition ‘Squaring the Circle’ by Loane Bobillier comes at a point where we can look back at National and International events of recent years and question our place within the framework of a rapidly changing society.
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‘Decompressed Time Frames’ (the exhibition formerly known as ‘Compressed Time Frames’) opens with the extension of a work begun as part of the 2017 Leeds Light Night, in which Bradley mobilised his audience, attached by an unsafe rock climbers rope, and traversed the city from art venue to art venue.
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So how do we get past the problem of perception, access and desire. Life is about dialogue, that is how we learn. We educate ourselves through experience, we find the edge of our zone of comfort and understanding and we push past it, through to what lies beyond.
Read More![Lockdown Journal: Dortmund Edition [Yol]](https://images.squarespace-cdn.com/content/v1/5a32eeef7131a54afcc07e5f/1635756549798-2YHKYICM9NDGQX3NEKXO/Screenshot+2021-11-01+at+08.47.39.png)
During the Lockdown I received an update from the studio of Yol, and just before I left another video update arrived in which he appeared to be trapped inside the Coronaverse. I shall leave you with his emergency transmission.
Read More![Lockdown Journal: Dortmund Edition [Travelogue 05]](https://images.squarespace-cdn.com/content/v1/5a32eeef7131a54afcc07e5f/1635717328362-QOB0TZPGLVRBWX4CHSEM/IMG_7045+2.jpeg)
At the studio in which I have spent the last four days, I pack up my things for the final time and prepare to head for the Torhaus. Today is the opening of the exhibition ‘Meine Welt Auf Corona’ and as soon as it is done I have to head back to the station so that I can catch my train home.
Read More![Lockdown Journal: Dortmund Edition [Travelogue 04]](https://images.squarespace-cdn.com/content/v1/5a32eeef7131a54afcc07e5f/1635117880847-SRT6NNJDF9ZL9NB46L88/IMG_6872.JPG)
Today is essentially a free day. With the exhibition now fully installed and all of the tech stuff working properly, I can spend the day taking in some art elsewhere. I have arranged to meet Sylvia and Christiane at the Dusseldorf U building.
Read More![Lockdown Journal: Dortmund Edition [Lou Hazelwood]](https://images.squarespace-cdn.com/content/v1/5a32eeef7131a54afcc07e5f/1635112055249-DRPLKRKP6YYPLPCV9SBU/Circumvent%2C+Join+the+Dots.png)
Moving out of lockdown, the world is opening up, a chasm to be filled by STEM courses at Universities where the arts are systematically destroyed in an attempt to keep the economy going.
Read More![Lockdown Journal: Dortmund Edition [Travelogue 03]](https://images.squarespace-cdn.com/content/v1/5a32eeef7131a54afcc07e5f/1635000200597-OLEKHCCN8KU8K8TKXNR2/IMG_6884.JPG)
Thursday 22nd October
Today I am meeting Viennese artists Christiana Spatt and Maria Hanl at the Torhaus. Maria’s work is a film piece and has already been installed, Christiane is a painter and photographer and her work is the final piece in the Corona jigsaw.
Read More![Lockdown Journal: Dortmund Edition [Travelogue 02]](https://images.squarespace-cdn.com/content/v1/5a32eeef7131a54afcc07e5f/1634923502966-5QKJ51ZWVMFHIMHDP90Q/IMG_6768+4.JPG)
The city streets do not seem to be very busy with cars. There is a hire system for electric scooters, they are everywhere and people just leave them parked at the edge of the pavement. Bikes are also popular. Dortmund feels like a city with an environmental conscience.
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Many of our discussions in previous weeks have been about the intervening 10 years as much as they have involved what this project will entail. Our discussions have also revolved around situationist ideas and strategies, phenomenological understandings of environment and our engagement with people as artists and individuals.
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There is something rather disheartening about opening up my computer each day to a raft of reminders and notifications telling me that I should be installing, opening, taking down yet another exhibition that has not happened.
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Notes From a Covid City
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I still love Leeds, I guess you always do when it’s your hometown. I studied my foundation at Jacob Kramer 1990-91 after doing Photography O & A levels at my school. I failed my art O level and am really glad I did!
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When I first encountered Alistair’s works it was strikingly apparent to me that he was meddling with paradoxes, playing, flirting & enticing viewers to decode this special language he had built from his practice.
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SCIBase was established in 2012 as a collaborative vehicle for artists associated with SCI (Soup Collective International), based primarily in the Northwest of England and run by Wendy Williams in collaboration with BasementArtsProject Leeds.
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What began as a slightly tongue in cheek title for the second and third in a series of exhibitions has, for me at least, become a point of serious consideration. Originally the title INHOSPITABLE referred to the site for the second SCIBase exhibition at the Bridewell Studios, a former police station, on the edge of Liverpool city centre.
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In 2010 artists Chris Daniels and Maria Anastassiou were the recipients of the Deutsche Bank Award for Art at the Royal College of Art for their project Unravel - the longest hand painted film in Great Britain.
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