![Lockdown Journal: Dortmund Edition [Yol]](https://images.squarespace-cdn.com/content/v1/5a32eeef7131a54afcc07e5f/1635756549798-2YHKYICM9NDGQX3NEKXO/Screenshot+2021-11-01+at+08.47.39.png)
During the Lockdown I received an update from the studio of Yol, and just before I left another video update arrived in which he appeared to be trapped inside the Coronaverse. I shall leave you with his emergency transmission.
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![Lockdown Journal: Dortmund Edition [Travelogue 05]](https://images.squarespace-cdn.com/content/v1/5a32eeef7131a54afcc07e5f/1635717328362-QOB0TZPGLVRBWX4CHSEM/IMG_7045+2.jpeg)
At the studio in which I have spent the last four days, I pack up my things for the final time and prepare to head for the Torhaus. Today is the opening of the exhibition ‘Meine Welt Auf Corona’ and as soon as it is done I have to head back to the station so that I can catch my train home.
Read More![Lockdown Journal: Dortmund Edition [Travelogue 04]](https://images.squarespace-cdn.com/content/v1/5a32eeef7131a54afcc07e5f/1635117880847-SRT6NNJDF9ZL9NB46L88/IMG_6872.JPG)
Today is essentially a free day. With the exhibition now fully installed and all of the tech stuff working properly, I can spend the day taking in some art elsewhere. I have arranged to meet Sylvia and Christiane at the Dusseldorf U building.
Read More![Lockdown Journal: Dortmund Edition [Lou Hazelwood]](https://images.squarespace-cdn.com/content/v1/5a32eeef7131a54afcc07e5f/1635112055249-DRPLKRKP6YYPLPCV9SBU/Circumvent%2C+Join+the+Dots.png)
Moving out of lockdown, the world is opening up, a chasm to be filled by STEM courses at Universities where the arts are systematically destroyed in an attempt to keep the economy going.
Read More![Lockdown Journal: Dortmund Edition [Travelogue 03]](https://images.squarespace-cdn.com/content/v1/5a32eeef7131a54afcc07e5f/1635000200597-OLEKHCCN8KU8K8TKXNR2/IMG_6884.JPG)
Thursday 22nd October
Today I am meeting Viennese artists Christiana Spatt and Maria Hanl at the Torhaus. Maria’s work is a film piece and has already been installed, Christiane is a painter and photographer and her work is the final piece in the Corona jigsaw.
Read More![Lockdown Journal: Dortmund Edition [Adekola]](https://images.squarespace-cdn.com/content/v1/5a32eeef7131a54afcc07e5f/1634834352930-VVHVCJ75MU04WTN9ALT7/Screenshot+2021-10-21+at+18.37.43.png)
Yesterday in a special edition of the Lockdown Journal, we updated you on the status of the ‘Compressed Time Frames’ exhibition by ArtCouple, and today I bring you some material by Abdullah Adekola, poet and founder of the Black led and Leeds based poetry collective ‘Say It. With Your Chest’. We hope to be working with Adekola in the very near future, watch this space.
Read More![Lockdown Journal: Dortmund Edition [Travelogue 01]](https://images.squarespace-cdn.com/content/v1/5a32eeef7131a54afcc07e5f/1634825417813-WTWG3XJLOI7BJB5PVY9E/IMG_6737.JPG)
Today, I depart for the Industrial Rhineland of Westphalia, specifically the city of Dortmund for an exhibition entitled ‘Meine Welt Auf Corona’ (My World After Corona).
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The question is how to achieve those elusive steps to improvement, how to train your vision on a new horizon and attempt to take people with you on that journey.
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In the scene pictured, here, the ”Feeders” take parcels from the metal or cardboard containers (pictured on both side of the print) onto the belt at a constant pace, starting the operations.
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Many of our discussions in previous weeks have been about the intervening 10 years as much as they have involved what this project will entail. Our discussions have also revolved around situationist ideas and strategies, phenomenological understandings of environment and our engagement with people as artists and individuals.
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this was the first time I conceptually considered presence and absence of the figure and the space around the figure, and this has kept with me ever since.
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there is something really fascinating about revisiting, reworking and stripping back. Sanding down the floor of the studio, peeling back layers of varnish and paint that had become caked on the floor was both an incredibly satisfying feeling - like cleaning a dirty kitchen and then seeing it sparkle
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. . . the fact that there is much art out there that most of us will never be able to experience firsthand does not mean that there is no point in trying to experience or understand it.
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There is something rather disheartening about opening up my computer each day to a raft of reminders and notifications telling me that I should be installing, opening, taking down yet another exhibition that has not happened.
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Was the sky ever so blue over my Ruhr Valley? Sun. It is warm. But there is no clatter of dishes from the balconies, no humming of people's voices in the cafés. The roaring of the airplane engines is also missing. The honking and screeching, the pattering and stomping, the too loud music of the neighbour, the annoying sound of the leaf blower.
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This series of drawings were made during coronavirus lockdown and are based on Henry Moore’s Three Standing Figures, which are based in my immediate locality and stand overlooking the quietness of the lake in Battersea Park.
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Alabaster for my brother’s 60th, made during the 2020 Covid-19 lockdown.
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As we move further into 2020 it is time for an update on what is happening here at BasementArtsProject with regards to our programme.
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As part of the Lockdown Journal I decided that at some point I would try and post something about work that I have produced myself; hence the Twin Peaks quote on the last BasementArtsProject journal page ‘Next time you see me it won’t be me!’. This time it is not BasementArtsProject it is me as Bruce Davies.
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As we all move indoors for a few weeks of enforced isolation it is important to make sure we do not lose our connection with those things that make us happy, give us hope and allow us to share something of what it is that makes us human; our enduring spirit of creativity.
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