When we lose a sense of purpose we lose our sense of the future, and that is where hopelessness slips into the void and feeds our deepest fears. That is the point at which the sun sets never to rise again.
Read MoreDuring the Lockdown I received an update from the studio of Yol, and just before I left another video update arrived in which he appeared to be trapped inside the Coronaverse. I shall leave you with his emergency transmission.
Read MoreAt the studio in which I have spent the last four days, I pack up my things for the final time and prepare to head for the Torhaus. Today is the opening of the exhibition ‘Meine Welt Auf Corona’ and as soon as it is done I have to head back to the station so that I can catch my train home.
Read MoreToday is essentially a free day. With the exhibition now fully installed and all of the tech stuff working properly, I can spend the day taking in some art elsewhere. I have arranged to meet Sylvia and Christiane at the Dusseldorf U building.
Read MoreMoving out of lockdown, the world is opening up, a chasm to be filled by STEM courses at Universities where the arts are systematically destroyed in an attempt to keep the economy going.
Read MoreThursday 22nd October
Today I am meeting Viennese artists Christiana Spatt and Maria Hanl at the Torhaus. Maria’s work is a film piece and has already been installed, Christiane is a painter and photographer and her work is the final piece in the Corona jigsaw.
Read MoreThe city streets do not seem to be very busy with cars. There is a hire system for electric scooters, they are everywhere and people just leave them parked at the edge of the pavement. Bikes are also popular. Dortmund feels like a city with an environmental conscience.
Read MoreMan is not rational; only what encompasses him is intelligent
Read MoreMany of our discussions in previous weeks have been about the intervening 10 years as much as they have involved what this project will entail. Our discussions have also revolved around situationist ideas and strategies, phenomenological understandings of environment and our engagement with people as artists and individuals.
Read MoreIn the midst of lockdown I felt like I should have been reading, disappearing in to worlds, escaping, but I needed to be present too. So I found that I could get lost in box sets, subtitled box sets, the best of both worlds present but not, reading and listening consumed as a whole.
Read MoreThere is something rather disheartening about opening up my computer each day to a raft of reminders and notifications telling me that I should be installing, opening, taking down yet another exhibition that has not happened.
Read MoreNotes From a Covid City
Read Morehe source material, a photo of a wrapped garden ornamental pedestal, was sent to me by my American pal and painter Peter Waite.
Read MoreWas the sky ever so blue over my Ruhr Valley? Sun. It is warm. But there is no clatter of dishes from the balconies, no humming of people's voices in the cafés. The roaring of the airplane engines is also missing. The honking and screeching, the pattering and stomping, the too loud music of the neighbour, the annoying sound of the leaf blower.
Read MoreThis series of drawings were made during coronavirus lockdown and are based on Henry Moore’s Three Standing Figures, which are based in my immediate locality and stand overlooking the quietness of the lake in Battersea Park.
Read MoreThis lockdown casting has another link with my Mum, in that I discussed the design for this triptych while sitting with her overlooking the sea at Runswick Bay in September 2013.
Read MoreMarch 2020, live updates from The sounds of ideas forming, Volume 2 (Instagram - @alandunn67), exploring the fragility and tangibility of vinyl sleeves in domestic settings. Recent instalments:
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