Posts in working class access
Unmanaged Reproach: an essay.

No two projects in the last eight years of exhibitions at BasementArtsProject more clearly amplify this than May’s exhibition by Claire Bentley-Smith ‘Unmanaged Reproach’, and its predecessor ‘Mellifluous Arcana’ by artist Paul Walsh. Both of these exhibitions came from a very personal place, anchored in past experience whilst depicting what are very much concerns of the here and now. 

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Sluice: A Sale of Two Cities

As the city fills with art world luminaries in some of the swankiest venues London has to offer, so to do the train arches and un-let spaces with artists whose worlds are similarly governed by this most strange and incomprehensible of life choices.

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Now We Have Met

Now We Have Met is, strictly speaking, not entirely about performance but about closure and treating a body of work, which just happens to be performance based, as a point of departure.

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When Worlds Collide

Welcome to My World is the second exhibition in 2016 that has been led by artist and musician Ian Pepper, and it comes on the back of the Leeds Inspired funded project A Feast of Beeston.

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Surface Tension

…the sedimentary nature of her creative practice seemed to run parallel with another strand of thought, present in much of her work, surrounding kitsch objects; that which is cheap and mass produced.

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An Extra Seat at The Table...

In January 2016 artist Ian Pepper began a project, commissioned by BasementArtsProject and supported by Leeds Inspired, to realise an exhibition that had at its core life in South Leeds.

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What Is Being Subjected To Change?

When I first encountered Alistair’s works it was strikingly apparent to me that he was meddling with paradoxes, playing, flirting & enticing viewers to decode this special language he had built from his practice.

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Nostalgia Is Not What It Used To Be

Alistair Woods has something of a Steptoe and Son approach to the production of artworks. For Woods the hedgerows, back alleys and gutters are a veritable treasure trove of nostalgia, a world in which objects relinquish their histories and meaning in favour of a new lease of life.

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Keeping The Aspidistra Flying

And so it is that on a warm sunny morning in late March, with the smell of oil paint and turps hanging on the air, BasementArtsProject turns a corner and enters a new phase in its existence.

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Unravel: the longest hand painted film in Great Britain

In 2010 artists Chris Daniels and Maria Anastassiou were the recipients of the Deutsche Bank Award for Art at the Royal College of Art for their project Unravel - the longest hand painted film in Great Britain.

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