Something I often jut up against while writing artist statements, or justifications for my sculptures and sculptural practice, is weaving a conceptual framework between the works. I wrack my brain for the glimmering answer, an unearthed, deeply hidden key to the story. Pathways and link roads between the hard materials, the ritualistic burnings, the curled and folded forms, that I get lost trying to find.
Read MoreAs the city fills with art world luminaries in some of the swankiest venues London has to offer, so to do the train arches and un-let spaces with artists whose worlds are similarly governed by this most strange and incomprehensible of life choices.
Read MoreNow We Have Met is, strictly speaking, not entirely about performance but about closure and treating a body of work, which just happens to be performance based, as a point of departure.
Read MoreWelcome to My World is the second exhibition in 2016 that has been led by artist and musician Ian Pepper, and it comes on the back of the Leeds Inspired funded project A Feast of Beeston.
Read More…the sedimentary nature of her creative practice seemed to run parallel with another strand of thought, present in much of her work, surrounding kitsch objects; that which is cheap and mass produced.
Read MoreFor BasementArtsProject, Borkowsky proposed the re-creation of two artist’s studios; one of whom he had met before but did not know well, and the other whom he had never met at all, but both of whom he has exhibited alongside in other circumstances.
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