Posts in BasementArtsProject
LOCKDOWN JOURNAL: COVID-19.41 (Ian Pepper)

Ian Pepper is a multidisciplinary figurative artist inspired by New Scottish Painting, German Expressionism and Outsider Art. He is chiefly interested in exploring human relationships and the ways in which people gather together to form different cultural groups.

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Lou Hazelwood: A Conversation

I still love Leeds, I guess you always do when it’s your hometown. I studied my foundation at Jacob Kramer 1990-91 after doing Photography O & A levels at my school. I failed my art O level and am really glad I did!

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Nostalgia Is Not What It Used To Be

Alistair Woods has something of a Steptoe and Son approach to the production of artworks. For Woods the hedgerows, back alleys and gutters are a veritable treasure trove of nostalgia, a world in which objects relinquish their histories and meaning in favour of a new lease of life.

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COLONIZE: Jamestown, New York USA

SCIBase was established in 2012 as a collaborative vehicle for artists associated with SCI (Soup Collective International), based primarily in the Northwest of England and run by Wendy Williams in collaboration with BasementArtsProject Leeds.

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Epigone

Through drawing, sculpture, film and 35mm projection this exhibition looks to explore the role of the epigone (an impersonator or apprentice) as each new piece is realised. Four drawings made at the beginning of the project act as proposals for four artworks. The drawings enclose the signature of the artist, offering a framework for how to follow suit. But the corresponding artworks are less defined in terms of their authorship.

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Ditch The Eggs! She Screamed

Luke Drozd is an artist and illustrator who studied BA Fine Art at Leeds Metropolitan University, and completed his Masters in Fine Art at Chelsea College of Art and Design, London in 2009.

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Home Is Where The Art Is.

As we leave behind the port of Liverpool and bring the work of SCIBase to Leeds for one final outing in 2012, ‘INHOSPITABLE 1.1’ becomes the marriage of three distinct exhibitions into one coherent narrative, driven by the input of all involved. Along with the shift in cities comes a shift in style and a new set of rules and curatorial concerns emerge.

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‘Hey Artists, Gotta Dollar . . . Thought Not!’

What began as a slightly tongue in cheek title for the second and third in a series of exhibitions has, for me at least, become a point of serious consideration. Originally the title INHOSPITABLE referred to the site for the second SCIBase exhibition at the Bridewell Studios, a former police station, on the edge of Liverpool city centre.

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Keeping The Aspidistra Flying

And so it is that on a warm sunny morning in late March, with the smell of oil paint and turps hanging on the air, BasementArtsProject turns a corner and enters a new phase in its existence.

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SCIBase | Somewhere In Sweden

We arrived in Stockholm on a Wednesday afternoon in flurries of snow and a bitingly cold wind. Our arrival marked the end of four months of collaborative planning, mainly via e-mail, between BasementArtsProject, Leeds and SCI based in the Northwest.

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ArtRun Run and Boy What Fun!

The ArtRun began life as a simple idea; the commitment to, and execution of, an idea. For Debs, the originator of the concept, this meant using a physical activity to consider what it means to be an artist. Debs is not an artist, but neither is she a runner so both aspects of the idea were essentially a meditation on perseverance.

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Unravel: the longest hand painted film in Great Britain

In 2010 artists Chris Daniels and Maria Anastassiou were the recipients of the Deutsche Bank Award for Art at the Royal College of Art for their project Unravel - the longest hand painted film in Great Britain.

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