Posts in BasementArtsProject
LOCKDOWN JOURNAL: COVID-19.42 (Curatorspace)

CuratorSpace Courses is a course and workshop listing platform which we've built to let artists and arts professionals move their IRL courses online and list them for free during the pandemic. We’re hoping it will make it easier for people to make a living in these difficult times, as well as giving others a chance to learn something new while they are in lockdown or self isolating.

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LOCKDOWN JOURNAL: COVID-19.41 (Ian Pepper)

Ian Pepper is a multidisciplinary figurative artist inspired by New Scottish Painting, German Expressionism and Outsider Art. He is chiefly interested in exploring human relationships and the ways in which people gather together to form different cultural groups.

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Lou Hazelwood: A Conversation

I still love Leeds, I guess you always do when it’s your hometown. I studied my foundation at Jacob Kramer 1990-91 after doing Photography O & A levels at my school. I failed my art O level and am really glad I did!

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Keith Ackerman: Jacob's Ladder

After a career as a Chartered Electrical Engineer I came to sculpting late. Following sculpting courses at Bradford and York colleges, including 7 years with the sculptor Dominic Hopkinson, I concentrated on stone carving and glass casting as my main artistic processes. My sculptures are abstract and often made from local stone.

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Unmanaged Reproach: an essay.

No two projects in the last eight years of exhibitions at BasementArtsProject more clearly amplify this than May’s exhibition by Claire Bentley-Smith ‘Unmanaged Reproach’, and its predecessor ‘Mellifluous Arcana’ by artist Paul Walsh. Both of these exhibitions came from a very personal place, anchored in past experience whilst depicting what are very much concerns of the here and now. 

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Mellifluous Arcana: An essay

Over the last eight years BasementArtsProject has become something of an immersive project. It is immersive for the viewer in so much as when you enter this subterranean space you become at one with it, the outside world temporarily an irrelevance.

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Sluice: A Sale of Two Cities

As the city fills with art world luminaries in some of the swankiest venues London has to offer, so to do the train arches and un-let spaces with artists whose worlds are similarly governed by this most strange and incomprehensible of life choices.

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Now We Have Met

Now We Have Met is, strictly speaking, not entirely about performance but about closure and treating a body of work, which just happens to be performance based, as a point of departure.

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When Worlds Collide

Welcome to My World is the second exhibition in 2016 that has been led by artist and musician Ian Pepper, and it comes on the back of the Leeds Inspired funded project A Feast of Beeston.

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Surface Tension

…the sedimentary nature of her creative practice seemed to run parallel with another strand of thought, present in much of her work, surrounding kitsch objects; that which is cheap and mass produced.

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A Walk Through Speculative Spaces

For BasementArtsProject, Borkowsky proposed the re-creation of two artist’s studios; one of whom he had met before but did not know well, and the other whom he had never met at all, but both of whom he has exhibited alongside in other circumstances.

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An Extra Seat at The Table...

In January 2016 artist Ian Pepper began a project, commissioned by BasementArtsProject and supported by Leeds Inspired, to realise an exhibition that had at its core life in South Leeds.

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MantlePiece: Gallery of Images

‘MantlePiece’ is a sculptural installation by Leeds based duo Lens&Chisel; sculptor Keith Ackerman and light artist / photographer Adam Glatherine. Gallery of Images

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Daily: an essay by Garry Barker

“Daily’ the Basement Arts exhibition of the work of Phill Hopkins, is entered through a lively domestic kitchen, you open an unassuming paneled door and descend steep stone steps into another world. Above that door there should be a warning, “THROUGH ME YOU ENTER INTO THE CITY OF WOES.” (2)

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Looking Forward to the Age of STEAM

The city of Leeds is home to three major educational establishments that deal in some way with art education. Over the years these institutions have served as a Launchpad for the careers of some of the most famous British artists of the twentieth century such as Henry Moore, Barbara Hepworth and Damien Hirst. They have also played host to the radical ideas and practices of the likes of George Brecht, Robert Filiou, Allan Kaprow and Yoko Ono

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The Project: A Report

In January 2015 six students from Leeds Beckett University met up with six family groups located in the South Leeds area to begin a film project that had been in the starting gate for some time.

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A Circular Tour of The Irrational

A lecture by Dominic Hopkinson
Sunday 26.04.15 | 3pm – 4pm

(The following lecture and tour of the work took place on a sunny Sunday afternoon in the cool subterranean exhibition space that is BasementArtsProject)

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A Harmony of Spheres

In the gap between reality and the virtual lies a myriad of vexed questions and compelling visions of another world, a world that is tormentingly close yet only ever briefly glimpsed through a crack in logic.

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Another Room

Come the dark, post-Christmas lull of January and the work arrives by van from London containing works by Hanz Hancock, Patrick Morrissey, Charley Peters, Giulia Ricci, Sarah Sparkes, Andy Wicks, Ben Woodeson, John Workman and from Leeds WalkerHill; the collaborative partnership of Michael Walker and Martyn Hill.

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It Will Come To Me

‘It Will Come To Me ‘ is a title that came in to being during a late night conversation via Facebook chat messenger with Samela Otoviç. The main thrust of the conversation was concerned with what the title of the aforementioned exhibition should be.

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