Posts in BasementArtsProject
Jacob's Ladder: an impact report of sorts

Whilst I always understood that Jacob’s Ladder would be a labour of love for both myself, as BasementArtsProject: the commissioning organisation, and for sculptor Keith Ackerman, I knew that it would definitely take longer than the one-hundred days of the Yorkshire Sculpture International 2019. But we never imagined the three year odyssey that it would become thanks to the C***d pandemic lockdowns.

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Living In Eternity: Tomorrow Never Comes

The clock stopped at the time of birth; marking a transition between worlds as the first breath is drawn.

The anguished screams of birth, become the rhythmic sigh matching the cadence of a weary world

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Underground with Sharon McDonagh: An Eye For Detail

Having worked as a Police Forensic Artist, McDonagh’s current practice is not too far removed from a world in which the gaps in reality are filled in by imagination. She has moved her attention from the world of reconstructing human identities for the purpose of identification, to the reconstruction of abandoned human habitation through architecture and found objects.

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Looking To The Future: Emily

For the last few months I have been in discussion with artist Paul Digby about his latest sculpture project ‘Looking To The Future: Emily’, and talking about BasementArtsProject’s position as co-creator on it. 

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Decompressed Time Frames and the Interconnectedness of Things

‘Decompressed Time Frames’ (the exhibition formerly known as ‘Compressed Time Frames’) opens with the extension of a work begun as part of the 2017 Leeds Light Night, in which Bradley mobilised his audience, attached by an unsafe rock climbers rope, and traversed the city from art venue to art venue.

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Entering the decompression chamber and a new era

Beneath the surface of the locked down world the oxygen is running low. The tiny life support capsules sustaining our presence in the airless vacuum of millions of hard-drives, can only sustain three dimensional life for so long. It is time to head for the surface, but not too rapidly.

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Abandonment Issues and the Language of Art

So how do we get past the problem of perception, access and desire. Life is about dialogue, that is how we learn. We educate ourselves through experience, we find the edge of our zone of comfort and understanding and we push past it, through to what lies beyond.

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Art From The Ground Up: Not Letting Culture Lose!

So, 2023 is still a thing; by which I mean Leeds2023. Despite the fact that Brexit put paid to any opportunity for UK cities to present their wares on a European stage, Leeds has committed itself to ensuring that 2023 remains an important year for the city in terms of culture; despite the funding and exposure being cut off by political dispute.

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Back To Life, Back To Reality

When we lose a sense of purpose we lose our sense of the future, and that is where hopelessness slips into the void and feeds our deepest fears. That is the point at which the sun sets never to rise again.

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A New Weird Albion

It is hardly surprising, that since reopening BasementArtsProject in August, the nature of the exhibitions have been somewhat political. Pushing through a time of great turmoil and upheaval as we are doing right now, things that have been bubbling under for a long time have quite predictably and reasonably come to the surface.

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Lockdown Journal: Dortmund Edition [Yol]

During the Lockdown I received an update from the studio of Yol, and just before I left another video update arrived in which he appeared to be trapped inside the Coronaverse. I shall leave you with his emergency transmission.

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Lockdown Journal: Dortmund Edition [Travelogue 04]

Today is essentially a free day. With the exhibition now fully installed and all of the tech stuff working properly, I can spend the day taking in some art elsewhere. I have arranged to meet Sylvia and Christiane at the Dusseldorf U building.

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Lockdown Journal: Dortmund Edition [Lou Hazelwood]

Moving out of lockdown, the world is opening up, a chasm to be filled by STEM courses at Universities where the arts are systematically destroyed in an attempt to keep the economy going.

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Lockdown Journal: Dortmund Edition [Travelogue 03]

Thursday 22nd October

Today I am meeting Viennese artists Christiana Spatt and Maria Hanl at the Torhaus. Maria’s work is a film piece and has already been installed, Christiane is a painter and photographer and her work is the final piece in the Corona jigsaw.

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Lockdown Journal: Dortmund Edition [Adekola]

Yesterday in a special edition of the Lockdown Journal, we updated you on the status of the ‘Compressed Time Frames’ exhibition by ArtCouple, and today I bring you some material by Abdullah Adekola, poet and founder of the Black led and Leeds based poetry collective ‘Say It. With Your Chest’. We hope to be working with Adekola in the very near future, watch this space.

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Lockdown Journal: Dortmund Edition [Travelogue 02]

The city streets do not seem to be very busy with cars. There is a hire system for electric scooters, they are everywhere and people just leave them parked at the edge of the pavement. Bikes are also popular. Dortmund feels like a city with an environmental conscience.

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Lockdown Journal: Dortmund Edition [Travelogue 01]

Today, I depart for the Industrial Rhineland of Westphalia, specifically the city of Dortmund for an exhibition entitled ‘Meine Welt Auf Corona’ (My World After Corona).

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Once More Unto The Breach (Repeat Ad Infinitum)

The work of Lou Hazelwood and Chris Graham, when working as a duo, seeks to make sense of the slippage from one political and philosophical state to another.

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The Entropic Effect In A Zero Sum Universe

The ‘Emergence’ exhibition looks at the energy that transforms material and gives new form to that which already exists. It is about the hand of the artist in the transformation process, the mind of the artist in the conception of the work and it is about the nature of the material being transformed.

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